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The energy escalated quickly, as Byrne was handed an electric guitar to play the opening phrases of “I Zimbra,” from Talking Heads, through the hanging shimmery, silvery strings that surrounded the stage on three sides, not unlike those beaded door hangers, although so closely together that you couldn’t see through them as they changed colors with the lighting. No doubt we were in for a fun, artful, and curious evening in the mind and music of David Byrne.Īs he shifted gears into “Lazy,” from his ’04 release “Grown Backwards,” the song’s music grew into a light funk song fueled by diverse percussionists and keyboards, his supporting players and vocalists wearing matching grey three-piece suits and barefooted, as Byrne was, all of the musicians carrying their instruments on harnesses, moving in ways that suggested choreographed dance moves as the song grew in intensity. The spotlight came up to find Byrne sitting there holding a (presumed) plastic model of the human brain, as the opening keyboard intro of “Here” began, the last song from the latest album, as Byrne rose to walk back and forth like a lecturing professor explaining the way the brain works or doesn’t to a college class, more of an example of effective performance than the way one expects a rock concert to start. No drums on a riser, no back row of amplifiers or keyboard set-ups.

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It was obvious that we were in for something quite unlike most concerts hitting outdoor venues this summer, when the lights dropped Saturday night at the mostly full Rose, with only a small table and chair sitting in the middle of the empty stage.

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Vincent, Fatboy Slim, done a few movie soundtracks, including “True Stories,” based on Talking Heads’ songs, produced albums, started the Luaka Bop record label, and appeared on “The Simpsons.” Still, it’s been a bit surprising how much attention his tour has garnered this summer, with videos showing up on YouTube from Coachella and Lollapalooza in Buenos Aires which emphasize the unique, high tech, artfulness he brings to the concert stage. He’s continued his work with Eno, as recently as his 7th solo album, this year’s “American Utopia,” () and has worked with St.

Perhaps, unconventional and artful better serve the singer/songwriter who led the band Talking Heads from playing the celebrated punk club CBGB’s in NYC in the later 70’s to a recording career that landed the band in the Rock and Roll Hall of Fame on the strength of classic alternative tracks like “Psycho Killer,” “Once In a Lifetime,” and “Burning Down the House,” and the career defining concert film “Stop Making Sense.”īyrne, born in Scotland and moved to US in childhood, collaborated on a project with Brian Eno as early as ’81, but started his solo career in earnest after Talking Heads disbanded in the late 80’s. The English language is not particularly helpful when one sets out to describe the music and artistry of David Byrne, words like unique and quirky tend to carry a pejorative connotation, while intended as an expression of positive attributes. David Byrne w/ Special Guest Benjamin Clemetine: “American Utopia” Tour 2018 Rose Music Center, Dayton, OH –